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Every Happy Family

by Dede Crane

Every Happy Family

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Humorous and heartbreaking, wise and demented, Every Happy Family explores the colourful – and sometimes repurposed – fabric of the Wright family. The stories mark turning points in the lives of the individual family members, as well as in their relationships with each other.

Married parents Jill and Les are the warp of the Wright family tapestry - Jill beginning to wonder if she is losing her mother while Les is fighting medical problems of his own, which he initially keeps secret from their children. Each family member's thread unravels from the others, as older son Quinn finds a dangerous way to combat shyness, younger son Beau seeks success and closure at boarding school, and adopted daughter Pema explores her roots.

But past and present weave back together and towards the future, as everyone is called home for a"living wake". Alone and together, the Wrights crash along, unable to give up on themselves or each other...hard as they might try.

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DETAILS

ISBN
9781550505481
Size
" x " 264 pages
Ages:
Adult
Price
18.95 CDN; 18.95 USD
E-Book Price
CDN; USD
Categories
Fiction Tradepaper Adult
Author
Dede Crane

About the Author

Dede Crane is the author of the literary novel Sympathy, which was a finalist for the Victoria Butler Book Prize. She has also published the teen novel, The 25 Pains of Kennedy Baines. Her first published story, “Seers,” appeared in Grain magazine and was short listed for the CBC Literary Award; she has since been published in numerous literary journals.

Dede has also co-edited, with author Lisa Moore, a collection of non-fiction stories about the experience of giving birth. She is currently working on a second teen novel, Poster Boy. A former professional ballet dancer and choreographer, Dede Crane has studied Buddhist psychology and psychokinetics at Naropa Institute in Colorado and the Body-Mind Institute in Amherst, Massachusetts. She currently calls Victoria, B.C. home.

From the Author: I started writing because of a bad back. No longer able to dance and choreograph but still pregnant with creative energy, words became my new, untrained limbs. Though not a word person by instinct, I did have a connection to the world of storytelling. I had always been an excellent daydreamer. I could keep a daydream going all day, go to sleep and wake up and begin where I left off. And these imagined worlds were equally as vivid as the so called real one.

Going from being such a physical person to a sedentary writer (also hard on the back) was a big change but it was time, I think, to give my voice its due. Moving to Vancouver Island was the final other catalyst. There was something about the power of the land here, in particular the trees, that urged voice. I know this may sound strange but unlike the east coast where the forest isn't wild anymore, the trees here still have stories to tell. And they want them told. I will also add that I love being around writers. Writers are sexy.

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